$100 Fine, by The Litter

$100 Fine

by The Litter

supported by

	/

Streaming + Download

Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

Includes digital booklet!

Purchasable with gift card

$9.99 USD or more
Record/Vinyl + Digital Album
Includes unlimited streaming of $100 Fine via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

ships out within 5 days

Purchasable with gift card

$24.99 USD or more

	1.	Mindbreaker 03:08
	2.	Tallyman 02:55
	3.	Here I Go Again 02:52
	4.	Morning Sun 02:26
	5.	(Under The Screaming Double) Eagle 02:42
	6.	Apologies To 2069 01:41
	7.	Kaleidoscope 02:19
	8.	Blues One 04:13
	9.	She's Not There 09:10

about

How do you top The Litter's godlike ‘67 longplayer, Distortions? Well, you don’t. But leave it to The Litter to deliver the equally essential (not to mention hopelessly rare) ‘68 follow-up, $100 Fine. From the ultra-explosive album opener, “Mindbreaker” (where the Distortions sound now takes on Blue Cheer-like heaviosity) to the LP’s epic finale; a nine-minute, ambitiously retooled “She’s Not There,” $100 Fine ranks as one of its era’s masterpieces.

In a tradition established on Distortions, The Litter again prove they were the most totally inspired – no, make that totally English-inspired – cover band to invade a US recording studio. $100 Fine includes exceptional covers of Jeff Beck (“Tally Man”), newcomers Procol Harum (“Kaleidoscope”), and last but certainly most obscure, a cover of “Here I Go Again” by Eire Apparent.

But what separates $100 Fine from its predecessor is the emergence of original material; from the “Fresh Cream”-style harmonica wailer “Blues One” to heavier psychedelic fare like “(Under the Screaming Double) Eagle.” For further enticement, we should mention everything is drenched in double-tracked, screaming fuzz from Midwest guitar legend Tom “Zip” Caplan. Unfairly rare but now rescued by Sundazed–and sounding exactly like it should. PLAY LOUD!!!! PLAY EVEN LOUDER!!!!

credits

released March 28, 2018

license

about

The Litter Minneapolis, Minnesota

The Litter formed in 1966 as a merger between two popular Twin Cities combos, the Victors and the Tabs. They quickly established a reputation as the wildest, loudest band on the scene.

contact / help

Contact The Litter

Streaming and
Download help

Shipping and returns

Redeem code

Report this album or account

If you like The Litter, you may also like:

Darkest Light
by Shana Falana

On her latest LP, Shana Falana keeps her voice front and center. Bandcamp Album of the Day Nov 4, 2019
go to album
Impression
by Sugar Candy Mountain

Groovy and mildly blown out psychedelic pop from California, just in time for summer. Bandcamp New & Notable May 27, 2021
go to album
Stars Are the Light
by Moon Duo

featured on Bandcamp Radio Nov 12, 2019
go to album
Love Lost
by Moon Palace

Seattle band conjure a summer-ready dreamscape through a swirling combination of dream pop, psychedelia, and disco. Bandcamp New & Notable May 11, 2022
go to album
Not Getting What You Want, One Step at a Time
by Imp of Perverse

Getting some serious Dean Wareham vibes from this Texas bedroom project that’s anything but lo-fi. Bandcamp New & Notable Feb 10, 2017
go to album
As Far As Gardens Go
by Carroll

Spacious, psych-tinged indie rock from Philly; painting in blurry watercolors (but not without percussive headiness). Bandcamp New & Notable Nov 16, 2016
go to album
Holy Water Pool
by Heaters

This Michigan-based trio trip, swirl, and echo their way through 11 songs of psychedelic, surf-tinged, garage rock. Bandcamp New & Notable Sep 27, 2015
go to album